RUB: An exhibition at Flux Factory, NY
November 23 – December 15, 2020
Full Schedule of Programming events: www.fluxfactory.org/event/rub-exhibition
RUB is
an independent publication
an exhibition at Flux Factory
an invitation to collaborate, learn and build community
RUB features a selection of multidisciplinary practitioners and artists who use two self-defined frameworks 1. DIY strategies of the “NOW-WAVE” and 2. “GRAPHIC ACTIVISM”.
The “NOW-WAVE” (named after the“new-wave” concept) houses artists who produce counterculture. These individuals challenge the boundaries of Nationhood and address issues that cross cultural boundaries. Through a de-colonial, DIY, and activist practice, the artists escape these imposed boundaries. This movement wrestles with the notion of collective vs individual identities, and uses a praxis of art and activism that moves beyond the white box context.
The second framework is experimentation and reinvention through “GRAPHIC ACTIVISM”. This exhibition centers artworks with a special sensitivity for printed matter and publishing as practice, while also increasing visibility for under-represented and under-appreciated identities through text. Some central themes include: experiences of POC and QPOC, therapeutic art practices, using graphic languages in the processes of resistance, and always returning to the personal as political.
The concept of RUB originated as an independent publication, zine and channel and has traveled around the world, into different exhibitions spaces such as the “Freedom School” at SPRING/BREAK Art Show— during Armory arts week in NYC, Singapore artbook fair, AKI Gallery in Taipei, Taipei Contemporary Art Center, Queer zine Fest, LA Printed Matter, and more recently AKTA community center in Tokyo and Kyoto Art Center.
RUB’s mission is creative engagement with local experimental communities of color in an era where the United States is ruled by a paranoiac, and a dehumanizing nexus has come in his wake. We witness a culture infected with commodification, consumerism, violence and the rupture of identity, a culture of manufactured fear and legally institutionalized discriminations. RUB is a free space, an incubator in a society shaped by brutality where uncensored voices can express nonconformity, opposition and provocation to the socio-political panorama.
The RUB exhibition is thanks to the support of grants from the NYC Department of Cultural Affairs, The Andy Warhol Foundation, the New York State Council on the Arts, the international circulation grant from the Colombia Ministry of Culture, Taipei Economic and Cultural Office in New York (TECO) and from individual donors.
Artists:
Aarati Akkapeddi, Amelia Bande, Mitsuko Brooks, Eun Hyea Choi, Echo the Golden Ghost, Kaitlin Chan (Queer Reads Library), Pei Ling Ho, Toby Millman, Martha Naranjo Sandoval, Yin Ming Wong, Andre Ramos-Woodard, Yanbo Li, XVK, Eleni Theodora Zaharopoulos +old RUB Contributors
Curatorial team:
Cayla Lockwood: artist, curator and graphic designer based in NYC. She is currently an artist in residence at Flux Factory and a curatorial member of Little Berlin (Gallery) in Philadelphia. Teaches workshops internationally in printmaking and bookbinding.
Chen An-An: Sculptor, installation artist and curator based in Taiwan. Her works revolve around queer feelings of love, desire, and loss within the complex relationship between self-identity and social system.
J Triangular: Colombia Born-Taiwan based. Founder of RUB zine. Independent curator, queer poet, DIY video artist and photographer. Making art projects that addresses themes as counterculture and music, queer community identity, self- empowerment and camcorder activism.
Lulu Meng: New York-based artist born in Taipei, Taiwan. Her multidisciplinary practice, including installation, sculpture, photography, drawing, video, and curatorial projects investigates the formation and fluctuation of individual identity in a society.
Terrill Warrenburg: Artist and independent curator living in Brooklyn, NY. Interested in art's ability to foster empathy between individuals, Terrill’s curatorial interests include collaborative partnerships, cross-cultural dialog, and alternative media.